Director Ric Cantor Signs to Interrogate

 

Interrogate is pleased to announce the signing of award-winning director and writer Ric Cantor for U.S. representation. Cantor, whose previous U.S. representation includes kin, Hungry Man, and Go Film, joins the acclaimed production company having carved out a successful career across commercials, television and film. 

 

“I’ve always been a fan of Interrogate,” Cantor remarks. “They have a stellar reputation and a roster of fantastically talented directors. As soon as I got to chatting with Executive Producers/Partners] George Meeker and Jeff Miller, it was clear they recognized a type of performance in my work that has some subtlety and depth. The way they spoke about the craft of storytelling in advertising really resonated with me.”

 

Cantor has built a body of comedic performance and dialogue-driven work for an array of clients, including MasterCard, McDonalds, Jaguar Virgin, Ikea, Sky Sport and Pepsi. Along with winning a coveted Gold Lion at Cannes for his NZTA “Phone Palming” spot, Cantor has also garnered several wins and nominations at the British Arrows and D&AD. 

 

UK-born and now LA-based, Cantor’s long-form credits include directing both seasons of the cult BBC sketch show Man Stroke Woman starring Nick Frost (Shaun of the DeadHot Fuzz); writing on Da Ali G Show; and writing and directing the feature film Suzie Gold. Prior to such endeavors, Cantor worked at the BBC, where he played a major role in elevating the look and feel of their on-air promos before advertising came calling.  

 

Cantor has long been vocal about the industry’s lack of diversity on both sides of the camera. Taking actionable steps towards change, Cantor is on the advisory board of ManifestWorks, an organization that helps connect people impacted by foster care, homelessness and incarceration with job opportunities in the entertainment industry.

 

George Meeker, Executive Producer/Partner at Interrogate, is candid about how he sees Cantor’s acumen for performance direction fitting into the cultural shift of brand messaging, saying, “In the midst of the global pandemic and the ongoing movement for racial justice, people are demanding to be communicated to correctly. Now and looking forward, strong, sentimental performances will be key for how brands speak to their audience.”

 

Which, Meeker says, “requires the deft hand of a director who knows how to get actors to communicate a message with authenticity. Ric’s innate talent for unearthing human traits and performances is stand-alone.”

 

“George and I both believe that the approach should be less about ‘Comedy’ with a capital C, and more about carrying out performance,” explains Cantor. “It doesn’t need to be wacky or have people shouting or doing ridiculous surreal things all the time. Rather the focus should be on human stories that are universally appealing: about family, relationships, life, that may have a little smile in there somewhere. That’s the kind of advertising that really interests me.”

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