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Rapper A$AP Ferg designs his own Redline BMX, shows it off in music video made by Amsterdam’s HERC

Hip-hop artist A$AP Ferg and legendary BMX bike brand Redline have designed 2019’s most desirable bike: the limited-edition A$AP Ferg x Redline. Instead of opting for a traditional ad campaign, the new bike is premiered in an epic music video for ‘Floor Seats’ - Ferg’s first track on his new album, also called Floor Seats’, which will be launched on 25 July 2019.

 

The viscerally cinematic film is set in NYC and is made by Amsterdam creative start-up HERC the Agency and one of Paris’s hottest young directors, Valentin Petit. Redline is the original BMX brand, which has not only deep roots in racing, but also in authentic street culture.

 

 “When you think BMX bike in Harlem, you think Redline,” says A$AP Ferg, “This collaboration is something I was really involved in and passionate about.”

 

Thecla Schaeffer, Accell Group CMO:

 

 “Now, more than ever, a collaboration only makes sense when there is a real connection between the influencer and the brand. Only then will the public think it’s genuine.

 

In this case, the connection is more than real: A$AP Ferg is an avid biker and Redline was his first bike growing up as a kid. Having always dreamt of creating his own bike one day - and then meeting him together with Redline was a serendipitous event.”

 

The idea of leading a marketing strategy with a music video - and the concept behind the film – is from Amsterdam creative agency HERC.  HERC (anno 2018) is one of Amsterdam’s new breed of independent agencies. HERC has a unique take on the space where street culture meets marketing - and believes in creating advertising that feels like entertainment.

 

Schaeffer continues:

“HERC’s track record gave me trust that whatever we would produce would be unique and of high quality. I think they are the only agency in the Netherlands who truly understand how to tap into (street) culture with advertising. We ended up working with a very international team, united through the passion for BMX.”

Speaking about the growing shift away from ‘advertising’ and more towards branded cultural content, creative directors and founders of HERC, Rogier de Bruin and Emilio de Haan say:

 

“We’re driving culture – as a way to create authentic advertising. For us this is what great advertising is about. Creating original content, that moves on the edge of product design, fashion and music. Our vision is to make brands popular by making them part of pop culture.” 

 

The music video captures ‘the spirit of Harlem’ and works perfectly as a promo for the bike by packing an authentic, cultural punch. To keep the feel very real, the casting took place on the street, via Instagram, and by tapping into the Ferg crew, which encompasses visual artists, stylists, dancers, musicians and more.

 

The video is directed by Valentin Petit, an up-and-coming director based in Paris who works through production company Division To build on the real, raw and authentic feel, director Valentin Petit shot analogue, mixing 16mm and 35mm film.

Petit says: 

“I tried to bring the viewer on a crazy bike ride in Ferg’s neighborhood – immersing the spectator into his lifestyle. I consider biker crews like wolf packs: they own their territory by riding them. But, in this film Harlem is the real hero…. It speaks for itself; its spirit is literally coming from everything: the buildings, people, shops, cars... I mean, you just can't cheat that.”

The video is set to new release ‘Floor Seats’ - which references UK band The Prodigy. An homage to The Prodigy’s anarchic spirit is felt in some of the techniques and style elements of the video.

Director, Valentin Petit:

“Obviously, The Prodigy was an unavoidable element of this project. And it’s an honor to be able to work with such a great material. I tried to transcribe their energy through movement of the camera and dynamical editing. It was easy for me to stay true to their universe - in addition to using film, I just had to push the art direction with effects I love to use, like time-lapse or freeze time. Those tricks bring a modernity while at the same time remaining faithful to the origins of their music.”

DIRECTED BY                                      VALENTIN PETIT

PRODUCED BY                                    DIVISION

CREATIVE AGENCY                            HERC THE AGENCY 

DIRECTOR OF PHOTOGRAPHY          Hunter Daly

EXECUTIVE PRODUCER                     Theo Gall

CREATIVE AGENCY                            HERC the agency 

CREATIVES                                         Emilio de Haan & Rogier de Bruin 

PRODUCER                                         Niels Heimens 

REDLINE                                              Thecla Schaeffer & Karin Campbell, Steven Behen,

Evan Moss

 

BIKERS                                                PJ, JT, Emmanuel, Jonathan, Jeremy, Julius, Hyrone,

Tay Tay, Laquan & derrick

 

PRODUCED BY                                    Roofeeo 

RECORDED BY                                    Vic Wainstein at Paramount Studios, Los Angeles, CA 

MIXED BY                                            Jaycen Joshua for The Penua Project at

Larrabee Sound Studios, North Hollywood, CA 

ASSISTED BY                                      Jacob Richards, Mike Seaberg & DJ Riggins 

MASTERED BY                                    Dave Kutch at The Mastering Palace, NYC

 

EDITOR                                               Maxime Caro 

EDITOR ASSISTANT                            Valentin Bordeau 

SOUND DESIGNER                              Emilien Bernaux

COlOR GRADER                                  Arthur Paux 

ORGANIC VFX                                     Nathan Almeras

VFX                                                      Vincent Heine

GRAPHIC DESIGNER                           Charlotte Louis 

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Nice article!

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