The One Club opens COLORFUL grant program for BIPOC creatives under 30

NEW YORK, March 22, 2022 — The One Club for Creativity announced the launch of COLORFUL: A Prelude to Young Guns 20, and tripled the size of the grant program to $9,000 to help young BIPOC creatives around the world advance their careers.
There is no fee to apply, and the grant is open globally to BIPOC creatives who qualify for the club’s prestigious Young Guns competition: age 30 years and under with at least two years of professional creative experience, and never having won Young Guns in the past.
Candidates must submit links to six projects in their portfolio, as well as a short essay and a 60-second video (phone or webcam acceptable) to introduce themselves and describe their dream project.
Deadline for free application for a COLORFUL grant is April 15, 2022.
A BIPOC jury of past Young Guns winners will review submissions and select one gifted entrant to receive the first-place grant of $3,000 towards a professional dream project of their choosing. Runner up will receive a $2,000 grant, and two third-place winners will each receive $1,000.
In addition, all COLORFUL finalists receive free entry into Young Guns 20, as will the first 10 qualifying candidates to enter when the competition opens on May 18, 2022.
Last year’s inaugural program had an immediate impact on Young Guns: 2021 COLORFUL winner Sean Wang, a New York-based filmmaker, went on to become a YG19 winner, as did finalist Dani Choi, an illustrator also in New York.
Funding for this year’s COLORFUL is provided by Russell’s Reserve Bourbon and Rich Tu, group creative director at Jones Knowles Ritchie New York who conceived of the grant program last year.
“I always feel we can do more to change this industry for the better, challenge pre-existing norms, and provide inclusive spaces for BIPOC representation,” said Tu, a YG8 winner who also hosts the "First Generation Burden" podcast. “I wanted to put my money where my mouth is and build upon the great work we did last year. That’s why we do this, to send a signal to the industry that we’re here too and that we won’t go away.“